Wednesday, 23 October 2013
Tuesday, 22 October 2013
Black Fish
Eye opening.
Biast for a purpose.
seaworld have put across there opinion already. persuasive- opinion from people to worked at seaworld saying they were 'embarrassed' 'worst thing they have ever done'
putting across an argument.
refusal to be interviewed.
showing the way it should be . seaworld
codes and conventions
medium close up to closeups, emotion.
music. dramatic effect. manipulation tool.
advert for seaworld seem sinister.
contract with the viewer- factual.
This eye-opening documentary offers up a insight to the inner-workings of Seaworld, and collaborating amusement parks. It puts across a well contrusted argument against them, and back it up with shocking footage and interviews with ex trainers. The point of the documentary is to warn potential clients against seaworld, and inform the cruelty which is being afflicted. Therefore the opinions have been presented in a biast manner to warn people away from them, and inforce the purpose thoroughly. The documentary uses a variety to techniques to make the audience feel emotion, compassion, and a sence of injustice for the series of events.
Biast for a purpose.
seaworld have put across there opinion already. persuasive- opinion from people to worked at seaworld saying they were 'embarrassed' 'worst thing they have ever done'
putting across an argument.
refusal to be interviewed.
showing the way it should be . seaworld
codes and conventions
medium close up to closeups, emotion.
music. dramatic effect. manipulation tool.
advert for seaworld seem sinister.
contract with the viewer- factual.
This eye-opening documentary offers up a insight to the inner-workings of Seaworld, and collaborating amusement parks. It puts across a well contrusted argument against them, and back it up with shocking footage and interviews with ex trainers. The point of the documentary is to warn potential clients against seaworld, and inform the cruelty which is being afflicted. Therefore the opinions have been presented in a biast manner to warn people away from them, and inforce the purpose thoroughly. The documentary uses a variety to techniques to make the audience feel emotion, compassion, and a sence of injustice for the series of events.
Wednesday, 16 October 2013
budget
25,000 (BUDGET)
SHORT FILM
TRAILER free
POSTERS
BUSSTOPS
FESTIVAL SCREENINGS
RADIO ANNOUNCEMENTS
CRITICS REVIEW – FILM WEBSITES
FACEBOOK/TWITTER
-Twitter page, followers, cast, pictures (on set, posters).
Interviews. Facebook page ( same as twitter).
-Website, pay to be designed. Updates, downloads, exclusive
clips ect.
-Apply to film review site, eg. Grolsch film works.
-Trailer screenings, cinemas, festivals
-Premiere
2 week campaign to:
we think we’re all
creative enough to be the distribution team so we don’t think we’d need to
employ people – or ask colleges etc for work experience people
concentrating advertising the prem
concentrate on
all advertsing in London
·
Concentrate on a London premier – independent cinema £8,000
·
Create twitter/facebook/websites and concentrate
on viral marketing – free – reach
millions of people
·
Ask people to set up screenings in different
county’s/countries
·
Invite critics/producers/film makers/people in
the industry
·
Merch – selling this
o T
shirts -3,420 (300)
o Posters
– 1,500 (500)
o Cd
and sleeve - 300 (200)
·
Local newspapers/newsletters – (80/day – 1120)
·
Pop-ups youtube – (two weeks) 825
·
Bill boards 1,500 (3 in London) in London
·
Hand flyers round outside cinemas in Leicester square,
covent garden, south bank ect – 350
1100 seats – possibly more than one night
£15 a ticket
Tuesday, 15 October 2013
notes & planning for film
Cast and crew
Amanda refried
Aaron Johnson
Leonardo dicaprio
The audience will be aimed at all ages
Pirates of the Caribbean (2012) logline brainstorming-
DEEP
DARK
DISPAIR
DARE TO SINK
DROWN
DEEP INTO DARKNESS
BELOW DIAMOND TIDES
DEATH
DARE TO
Friday, 11 October 2013
Film advertising- Django Unchained
Django Unchained Marketing Campaign.
As Quentin Tarantino’s much anticipated Django Unchained approached a great marketing campaign was needed. You don’t have to be a Tarantino fanatic to have expectations on a gangster film coming from the director, meaning the marketing was of great importance to sway the audience away from this, as Django is a Western.
As Quentin Tarantino’s much anticipated Django Unchained approached a great marketing campaign was needed. You don’t have to be a Tarantino fanatic to have expectations on a gangster film coming from the director, meaning the marketing was of great importance to sway the audience away from this, as Django is a Western.
Both these posters are promoting the film, but at different target
audiences. The first is informing viewers on the setting, age and storyline. The writing is clearly an old western font, and the chain
hanging from the ‘o’ is a reference to slavery. The only hint of violence is the colour
red, whereas the next poster has concentrated completely on selling the violence in the movie. Therefore
I think the first poster is more aimed at people interested period dramas/westerns. Stereotypically
a more mature audience, whereas the second poster is more obviously targeted at
an audience in to the crime genre (Tarantinos already made fan
base). The poster revolves around the violence, the guns, the splattered blood, the
actors; Dicaprio looking menacing, Waltz hinting his weapon, and Jamie Foxx
poised and ready for revenge! One of the biggest selling points about the movie
are its actors, especially Dicaprio with the largest fan base. Although he
doesn’t appear in the movie for long he is marketed with as much credit and the
two main parts (Jamie Foxx and Christoph Waltz). A conscious decision from the marketing campaign to attract the actors fans to the movie.
Interactive marketing tools are a useful way to make
the audience feel involved with the movie, a great tool is having a website for
the film. The Django Unchained website keeps its fans updated with downloads,
such as social media covers and profile pictures of its characters ect. This is
then selling the movie to people further than its existing fans, creating awareness
through facebook/twitter friends. The website also has videos (Django trailers)
photos, games, features. By including things such as games to the website its
attracting a larger group of people to the website. The more people who use the
website, the higher sales of the film. They are much more likely to then go and
watch the film after using it, than if not reminded about the film at
all.
Another use of interactive marketing is a page created through the social networking site, Facebook. The page is dedicated to the soundtrack of the movie, being that Tarantino is well known for his use of music throughout his films. Django soundtrack interacted with the images on screen, for example the sound of whipping went with the beat to the song being played. The page gave links to download and buy the music, so fans of the films can further their experience of the movie.
Another use of interactive marketing is a page created through the social networking site, Facebook. The page is dedicated to the soundtrack of the movie, being that Tarantino is well known for his use of music throughout his films. Django soundtrack interacted with the images on screen, for example the sound of whipping went with the beat to the song being played. The page gave links to download and buy the music, so fans of the films can further their experience of the movie.
Django’s marketing campaign did make a misjudgement
when it came to merchandising the movie. Django’s characters were made into
toys, which was almost instantly banned (first from ebay) as deemed as
inappropriate and offensive. Although this could work in the films favour by
giving the press a story and creating awareness of the movie, maybe something
more appropriate could have been made as merchandise. Merchandise is a great way to
sell your movie, and can make the difference between a big hit and a huge one
(eg. starwars). Merchandise can be clothes, posters, PS/Xbox games, mugs, glasses etc. It can increase a films popularity in a massive way, by merchandising with clothes you are getting the audience itself to promote the film.
This was my merchandise idea for Django Unchained. It is
more obviously targeted for adults unlike the toys which could be mistaken as
made for children. To make sure of this it clearly states that’s it is ‘for
over 18s only’. And to avoid any other precautions with the contents of the box
at the bottom it explains what they can, and cant do. I thought that this would
appeal to the films fans as it includes a lot of memorabilia from the film, and also a range of items that could appeal to men and women.
Django is full of controversy using the
racist term 'nigga' 100 times throughout, controversial as it is produced by a
white man. For this reason two screenings were held, one to an all African
American audience, and another to a mixed white and black group. This could
determine truly if black people took offence in anyway or generally
disliked Django more. But the results came out equal, which I think is
because Django Unchained is giving empowerment to the slaves. Since the
results came out this way Tarantino wouldn't have even had to over think the
decisions made, whereas if they came out different he may have had been forced make some
changes. Screenings are a great way to test the audiences reaction before the
film is released, people who work closely with the film may not be able to recognise
problems which are obvious to a fresh pair of eyes. Questionnaires are usually
handed out on screenings to fully evaluate how the audience feels about the
film. A lot of screenings have influenced change to films, all dependant to the audiences reaction.
Since it is so easy to judge a film
before we even watch it for many of us it has become routine to check reviews before
watching a film. Therefore reviews are becoming more and more vital to a films
success. A bad review can stop a massive amount of people from even giving the
film a try, ever growing sites such as rotten tomatoes and IMBD are responsible
for this.
Django was
released on Christmas Day 2012 in the USA and Canada, since the typical
Christmas day movies to be realised are family ones, this is giving an option
to film fanatics or couples without children.
It is certainly not the conventional film to be released on Christmas
day, but distribution clearly believed that it had a strong enough campaign to
have high cinema viewings. Which it did, receiving $30,122,888 on the opening
weekend just in the US alone. The rest of the release
dates were mid-January, this may have been distributed this way to create
anticipation after its release in the US.
Interviews with
cast, directors, and producers is also a successful way to get the audience
excited for its release. An interview with Tarantino on Django unchained got
heated when he was pressed on the link between movie violence and real life
violence, the video has reached over a million views because of Tarnation’s
reaction being ‘I’m shutting your butt down’. Tarnation’s defensive reaction
was a clear indication of his commitment to his storytelling.
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